Review: Megalopolis
When you think of one of the most important filmmakers in history, there’s a good chance that Francis Ford Coppola may come up ...
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Review: The Substance
It’s been a few days since I saw The Substance and I’m going to be honest: I still don’t know what to make ...
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Review: My Old Ass
As a nearly middle-aged man that has a ton of regrets when it comes to past decisions and actions, My Old Ass seemed ...
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Review: The Becomers
The body-snatcher genre is a classic staple of cinematic horror. From the 1956 film Invasion of the Body Snatchers to its successor (with ...
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Review: Booger
Horror is cinema’s most versatile genre, exploring themes like grief and family through the typical tropes we expect of scary films. Booger is ...
Review: Beetlejuice Beetlejuice
If you were a gambling person and wanted to bet on whether a movie was going to be good or bad, saying that ...
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Review: The Crow
There’s a scene early in The Crow where Bill Skarsgard’s Eric is standing over a bridge with his girlfriend Shelly, played by FKA Twigs. ...
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Review: The Killer (2024)
With how prevalent remakes and reimaginings have been for the last… forever, I wouldn’t hold it against you to groan at the very ...
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Review: Cuckoo
Hunter Schafer finally gets her leading role! As a fan of hers since season one of Euphoria, I was so excited to hear ...
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A brief chat with Baby Assassins: Nice Days director Yugo Sakamoto
For roughly the past year, I have co-hosted a YouTube channel called “TimesSqKungFu” with my friend Frankie Balboa. A creation of his to ...
Review: Borderlands
As the writer with the most knowledge of video games at Flixist, it usually falls on me to watch and review any video ...
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Review: Twilight of the Warriors: Walled In
One of the telltale signs that you’ve become an “old” person is when you start to pine for the “good old days.” While ...