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Tribeca Review: Bliss

It’s been ages since I’ve seen something as viscerally thrilling as Bliss. Horror movies in recent years have shifted away from gore and gallons of blood to psychological and more intimate fare, but you can only be psychological...

 
 
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Tribeca Review: Flawless

There's a lot that could go wrong when making a movie like Flawless. It's a high school coming of age story centered around a trans-woman named Eden, who frequently moves due to the harassment she receives by bullies at whatever high school...

 
 
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Tribeca Review: Something Else

Horror movies are usually at their best when the monster or villain is an allegory for some deep seated theme or idea. When used properly, the monster/villain is a dark reflection of our protagonist and their flaws, forcing our main charact...

 
 
 
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Review: The Wind

The opening images of Emma Tammi’s The Wind set up the dread to come. Outside of a home on the frontier, two men wait. It is windswept and desolate and wordless, the light a cold, foreboding pre-dawn blue. A woman emerges in white, co...

 
 
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SXSW Review: Them That Follow

I’m struck by just how at home Walton Goggins seems as some redneck pulled from a holler deep in Kentucky or elsewhere in the Appalachians. First made apparent in his epic run as Boyd Crowder on FX’s Justified, Goggins retu...

 
 
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Review: Woodsrider

Woodsrider, a documentary from Uncork’d Entertainment bills itself as a “season of adventure and self-discovery.” This is true, in so far as I, through the self-discovery of watching have learned to another degree, more or...

 
 
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Review: Starfish

If one thing's going to strike you straight off the bat with Starfish, it's going to be that this movie is perhaps too hip for its own good. You got cassettes, rotary phones, plaid shirts, old movie theater tickets, tea, Victorian-era furni...

 
 
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Review: An Elephant Sitting Still

Writer/director Hu Bo took his own life shortly after completing An Elephant Sitting, adapted from one of his own stories. He was only 29 years old. His lone feature film is so deeply moving and despondent. It is beautiful, and yet it aches...

 
 
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Review: Climax

An introductory scene of Gaspar Noé’s Climax gives viewers some hints of what to expect. Interviews with the film’s character play on a CRT TV, where they speak of the artistic power of dance and what it means to their li...

 
 
 
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Review: Johnny Gruesome

Johnny Gruesome's theme song describes its title character with more poetry than I could dream to achieve: "I died in anger. I want revenge. The only color I see is red. I'm not gonna stop. Blood is gonna drop, until everybody is dead. With...

 
 
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Review: Wobble Palace

This review was originally posted as part of our SXSW coverage.  Wobble Palace, as you may guess if you know director Eugene Kotlyarenko's other work, is a bit uncomfortable, a bit weird, and insanely satirical. It's almost fantastical...

 
 
 
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Review: Downrange

Every streaming platform needs filler, something cheap and disposable to keep subscribers peaking at what's available. Maybe a few people will watch it, because they have nothing better to do. And maybe that's the best way to watch it. ...

 
 
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Review: Super Troopers 2

It's been 16 years since Broken Lizard exploded onto the scene with their stoner-comedy Super Troopers. Ever since then, they have had ups and downs in terms of their movies but for the most part, their comedy has always tickled me in jus...

 
 
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Review: The Endless

The Endless follows Justin and Aaron, two brothers who escaped from a cult in the California wilderness called Camp Arcadia, ten years ago. Movies centered around a cult tend to focus on the leader or its active members by relying on the i...

 
 
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Review: LIKE ME

I once made a really good burger. I formed the patty myself, added the spices and topped it with smashed avocado. It was a half-pound beast that was proof to the world that I could, in fact, make a burger. I shot a photo of my culinary a...

 
 
 
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TIFF buzzed Outside In gets LA/NY release date

Newest film from director/writer Lynn Shelton (Your Sister’s Sister, Laggies) Outside In, starring Jay Duplass and Edie Falco, releases in Los Angeles and New York on March 30th and on all digital platforms April 3rd.   Out...

 
 
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Review: Lady Bird

Greta Gerwig's Lady Bird reminded me of my own experiences growing up. When a coming-of-age movie works, I'm bound to say that, and Lady Bird is one that works so well. Or, as they say in Northern California, hella good. Given, Lady Bi...

 
 
 
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Review: The Meyerowitz Stories (New and Selected)

All happy families are the same; each unhappy family is only sort of the same, and will eventually wind up in their own movie or book. Take the Meyerowitzes in Noah Baumbach's latest movie. This sophisticated clan of New Yorkers reminded of...

 
 
 
 
 
 
Review: The Bad Batch photo

Review: The Bad Batch

Ana Lily Amirpour's A Girl Walks Home Alone at Night was a sparse yet stunning debut that overflowed with languid cool. So much of Girl Walks gets by on its moody/artsy posturing, which had shades of Jim Jarmusch's early work mixed with an ...

 
 
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Review: My Entire High School Sinking into the Sea

There are so many possibilities in My Entire High School Sinking Into the Sea, the directorial debut of indie comics artist Dash Shaw. There's the image of an entire high school building adrift on the ocean and sinking. Think Lord of the Fl...

 
 
 
Review: The Void photo

Review: The Void

The 80s aesthetic is chic these days in genre films. Just take a look at Beyond the Black Rainbow, It Follows, or The Guest, among others. Homage and pastiche don't guarantee quality, of course, but it's an indicator that more and more...

 
 
Review: Colossal photo

Review: Colossal

One of my least favorite movie cliches goes something like this: A person who lives in the city has an existential crisis. They reluctantly return to their hometown, where things are much simpler and quieter. The main character reconnects w...

 
 
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Review: David Lynch: The Art Life

David Lynch: The Art Life hits a sweet spot in terms of its release date. Lynch's feature-length debut Eraserhead has just turned 40 years old, and the new season of Twin Peaks starts in May. There's bound to be a resurgence of all thi...

 
 
 
 
 
Review: Paterson photo

Review: Paterson

Jim Jarmusch's Paterson is work of subtle optimism. It's a gentle film, kind and generous, funny, too. Watching the movie, I sensed Jarmusch giving me a reassuring push, like a parent at a swing or a child casting off a toy boat. Paterson i...

 
 
 
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NYC: Support the Rooftop Films Kickstarter campaign

If you live in New York City and love independent films, chances are you've been to a Rooftop Films event. A registered non-profit group founded in 1997, Rooftop Films holds outdoors screenings of movies through the city in all boroughs: Br...

 
 




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Reviews   filter by...

Aniara"How grim it is, one's detonation."

 

All is True"To die, to sleep - no more"

 

A Dog's Journey"Old Yeller eat your heart out"

 

Perfect"More plastic than meat"

 

Saint Bernard"This guy's got some problems with wood"

 

Pokemon Detective Pikachu"The ending was not very effective"

 

The Hustle"A remake for those who have not seen the original"

 

Redcon-1"Doomsday but longer and worse"

 

Tribeca Georgetown"That's nearly a bingo"

 

Tribeca Crown Vic"I am... the LAW"

 

Tribeca After Parkland"A not so fitting memorial"

 

Shadow"Wuxia romance by way of Shakespeare and Machiavelli"

 

Uglydolls"You ain't got no alibi"

 

Long Shot"You'll probably tape over your laptop camera from here on out"

 

Tribeca Bliss"Paint it red, red, and more red"

 

Sundance 2019 : Extremely Wicked, Shockingly Evil and Vile"Zac Efron goes from heartthrob to heartless monster"

 

Knock Down The House"Everyone loves an underdog"

 

Room for Rent"Why old women shouldn't read romance novels"

 
 
 
 
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