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Review: Us

A few years ago we were all laughing our asses off with Jordan Peele on Key and Peele, but since the director hit us with the bombshell of perfectly-paced horror/social commentary that was Get Out the world has been salivating to see w...

 
 
 
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SXSW Review: Tread

The 40th president of the United States, Ronald Reagan, a one-time actor of some repute, died on June 5, 2004. Not surprisingly, the event dominated the news cycle for some days afterward. It also cut short a story that out of Granby, ...

 
 
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SXSW Review: Show Me The Picture: The Jim Marshall Story

For whatever reason, this SXSW was my year of documentaries. Maybe it’s because I like the journalistic element of them, and maybe it’s because they’ve put on show histories, cultures and politics in a way that I’d n...

 
 
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SXSW Review: Strange Negotiations

Strange Negotiations was a deeply personal and heartfelt documentary, an essay film exploring one man’s crisis of faith. Named after the eponymous album released by Christian/pop crossover band Pedro and the Lion in 2011, it centres o...

 
 
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Our top 10 movies of SXSW 2019

It’s been a fantastic year for movies at SXSW. We’ve laughed, we’ve cried, we’ve eaten more queso than I care to see again in my lifetime, and, attending for the first time, I can’t adequately express how muc...

 
 
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SXSW Review: Olympic Dreams

Maybe it’s in the name, but this is a dream of a film. To see a film completely sold out at the end of a festival is rare, but owing to its unique, funny, tenderness, Olympic Dreams was something truly special. Filmed on location at t...

 
 
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SXSW Review: Red Dog

Some people’s mothers are made for TV, might be the takeaway from Casey Pinkston and Luke Dick’s docu-dramedy Red Dog. Much like the infamous Twitter feed-turned-books-turned-Shatner-sitcom Shit My Dad Says proved...

 
 
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SXSW Review: Bluebird

To anyone who’s a fan of country music, the Bluebird Cafe, Nashville, is the holy grail, a place of pilgrimage and wonder. People come from far and wide across the United States and beyond to visit this unassuming little hole in the...

 
 
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SXSW Review: Pig Hag

Pig Hag is one of the best, most truthful films I’ve seen this festival. I don't say that flippantly -- there have been astounding documentaries tackling weighty issues -- but this narrative serves to uncover another form of injus...

 
 
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SXSW Review: Museum Town

There’s a moment when you first see a work of art that you consider the individual behind it: how did they even conceive of this project, let alone execute it? What was their inspiration? What was their thought process, by Jove! Somet...

 
 
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SXSW Review: La Mala Noche

La Mala Noche is an under-the-radar narrative premiering at SXSW this year, and with its heavy subject matter it’s easy to see why it would appeal to a niche audience. It follows the story of a beautiful woman named Dana (Noëll...

 
 
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SXSW Review: Frances Ferguson

Frances Ferguson is bored. She’s a 25-year-old substitute teacher with a dead marriage and a mother who is just as annoyed with her daughter as her daughter is with her. One day at school, she meets a student and, as dry and awkward f...

 
 
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SXSW Review: Them That Follow

I’m struck by just how at home Walton Goggins seems as some redneck pulled from a holler deep in Kentucky or elsewhere in the Appalachians. First made apparent in his epic run as Boyd Crowder on FX’s Justified, Goggins retu...

 
 
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SXSW Review: Days of the Whale

Set in Medellin, Colombia, Days of the Whale is a story of youthful rebellion and the inevitable consequences of getting in with the wrong crowd against your parents’ advice. Following young graffiti artists Cristina (Laura Tob&oacu...

 
 
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SXSW Review: The River and the Wall

I’ve spoken highly of all the films I’ve been fortunate enough to see over the course of the last five days at SXSW, and The River and the Wall was definitely among them. It has -- repeat, has -- to be seen on the big scre...

 
 
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SXSW Review: For Sama

For Sama is the story of the Syrian uprising and civil war, told through the point of view of Waad al Kateab. Her motivation for making the film is her daughter, Sama — a beautiful wide-eyed girl who has been born at such a tumultuo...

 
 
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SXSW Review: Aleksi

Aleksi made me laugh out loud so many times that I lose count. The directorial debut of Croatian director Barbara Vekaric and was a heartfelt, hilarious story of the dilemma 28-year-old Aleksi (Tihana Lazovic) experiences when she returns t...

 
 
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SXSW Review: Vai

Vai is a portmanteau film telling the stories of eight different women named Vai. Residing in seven different Pacific countries, their name means 'water', and they all have an innate connection to the sea, which accounts for their free sp...

 
 
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SXSW Review: Vision Portraits

Vision Portraits is the rare kind of film that you’ve always hoped to see, heralding back to the earliest use of montage in cinema in the 1920s and evoking a fresh sense of experimental, artistic filmmaking. Director Rodney Evans tr...

 
 
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SXSW Review: Yes, God, Yes

Sitting in her parent’s basement, 15-year-old Alice (Natalia Dyer) is about to get more than she bargained for playing movie title word scramble in an AOL chat room. Kids, AOL stands for America Online and, as their name sug...

 
 
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SXSW Review: Long Shot

Things started on a high note at the SXSW 2019 premiere of the Charlize Theron and Seth Rogen headliner comedy Long Shot. Upon entry to the Paramount theater, staff distributed free drink vouchers. It was either a semi-transparent ploy...

 
 
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SXSW Review: Go Back To China

Go Back To China will no doubt received mixed reviews from audiences of different backgrounds, but I’m of the opinion that it was a fantastic film. Part teen movie, semi-autobiographical, it toed the line between demonstrating really ...

 
 
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SXSW Review: Community First, a Home for the Homeless

Community First is a true passion project of director Layton Blaylock. Seeing him involved in the residents’ lives is a powerful thing and reminds me of why we choose to make films: to explore the humanity in the ordinary, and to ex...

 
 
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SXSW Review: Salvage

Filmed over the course of nine years in Yellow Knife, Canada, Salvage is a straight forward presentation of a difficult documentary, which is something, considering its runtime is under an hour. Director Amy Elliott was motivated ...

 
 
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SXSW Review: Boyz In The Wood

After my screening, I left the theater smiling madly like a pretty girl I’d been crushing on in high school just texted me when I’d never given her my number. You know, broadly, too much teeth, nearly careening into things, like...

 
 
 
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SXSW attendees will have the first shot at seeing Us

In 2017, Jordan Peele hit a moonshot with his directorial debut with horror psycho-thriller Get Out. Up to then, Peele was viewed as a comedy guru with his time on Key & Peele and Keanu before dropping a surprising horror movie tha...

 
 
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Review: Wobble Palace

This review was originally posted as part of our SXSW coverage.  Wobble Palace, as you may guess if you know director Eugene Kotlyarenko's other work, is a bit uncomfortable, a bit weird, and insanely satirical. It's almost fantastical...

 
 
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Review: Unfriended: Dark Web

(This review was originally published as part of Flixist SXSW 2018 coverage.) Blumhouse is on a roll right now. They're making some of the biggest hits in horror, and, of course just pulled in an Academy Award nomination for Get Out.&n...

 
 
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SXSW Review: Blockers

Prom! That magical experience of near mythical importance for high school students. You'll dance. You'll drink. And then, you'll definitely lose your virginity, because only losers haven't after prom has come and gone. The tradition begun w...

 
 
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SXSW Review: Social Animals

A documentary about teenagers using Instagram is probably not at the top of your must-see films list, even if you yourself are a teenager. Disclaimer: I am not a teenager. However, I do use Instagram. Almost entirely to take pictures of wha...

 
 
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SXSW Review: Prospect

Prospect is marketed as a horror film. A sci-fi film too. Before I saw it, another SXSW attendee told me, "Yes, it's those things, but it's a western." OK. So genre-wise, it's a little bit of everything, sort of like a hobo scramble. Y...

 
 
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SXSW Review: The Dawn Wall

Before outlining the merits of The Dawn Wall, of which there are many, I urge you to pursue seeing this on the big screen. Yosemite is of in itself an experience more real and immersive than most. Viewing two men attempt to climb its 3,000 ...

 
 
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SXSW Review: Never Goin' Back

Don't confuse these girls with these girls. Yeah. Those prime-time waitress-chicks don't know what broke is. Nor do their shenanigans really compare to those found in Never Goin' Back. In speaking about the film, before and after the scree...

 
 
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SXSW Review: Family

I sat next to a juggalo during my screening of Family. That may tell you all you need to know about the film, but if it does you'd be missing out on the core message of the movie. Whether the message was delivered in any meaningful way is f...

 
 
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SXSW Review: Summer '03

Apparently, coming of age tales aren’t going away. Go figure. Yes, the quintessential period of life that we all go through still holds powerful sway over our imaginations and, more importantly, our memories. We’ve been there do...

 
 
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SXSW Review: The Legacy of a Whitetail Dear Hunter

The Legacy of a Whitetail Dear Hunter was shelved for a few years after it was shot. Director Jody Hill just couldn’t get distribution for it despite the film featuring Josh Brolin and Danny McBride, and the creative team being the ...

 
 
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SXSW Review: The World Before Your Feet

In many ways a two-man collaboration between filmmaker Jeremy Workman and subject Matt Green, The World Before Your Feet is an understated documentary that details Green's efforts to walk every street in New York City's five boroughs. ...

 
 
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SXSW Review: The Unicorn

The romantic comedy is a genre that will never die, but often seems like it should as trite and redundant films are released over and over again. Thankfully, every once in a while something a bit more charming comes along and makes you enjo...

 
 




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Reviews   filter by...

Shazam!"Say my name"

 

Arrested Development - Season Five Part Two"They've Made a Huge Mistake"

 

Us"Turns out, the real monsters were us all along"

 

Relaxer"Sit back and relax (and also probably vomit a bunch)"

 

SXSW The Gift: The Journey of Johnny Cash"What is a man if he doesn't have a spirit"

 

Dragged Across Concrete""Anchovies...""

 

Book of Monsters"Horror by committee"

 

SXSW Tread"Too true crime"

 

SXSW Strange Negotiations"One man's search for meaning"

 

SXSW Mr. Jimmy"When the music strikes a chord "

 

SXSW Olympic Dreams"I wish I could watch it again every day "

 

SXSW Red Dog"Lives from the rowdiest, most infamous strip club in Oklahoma"

 

SXSW Bluebird""It will help you find where your soul is located""

 

SXSW Pig Hag"The film I wish I'd made"

 

SXSW Museum Town"Behind the museum"

 

Triple Threat"They brought guns to a fist fight"

 

SXSW Adopt a Highway"Some laws are just ridiculous"

 

SXSW La Mala Noche"Compelling subject matter, promising direction"

 

SXSW Frances Ferguson"A bored wife finds a boring affair"

 

Who Let the Dogs Out"Art creation through popular music"

 

SXSW Them That Follow"Subtle, tense, and lasting"

 

SXSW South Mountain"An affair to remember"

 
 
 
 
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