The Irishman takes top spot at New York Film Critics Circle Awards 2019 It may not have been surprising that Scorsese’s mob epic, democratised to the film-watching public thanks to Netflix, was named the Best Film ... By Sian Francis CoxFebruary 20, 20200
Reviews NYFF Review: Saturday Fiction World War II and its surrounding years have seen all sorts of filmic representation on the big screen, from blood-and-guts, boots-on-the-ground soldiering to ... By Sam van der MeerFebruary 20, 20200
Reviews NYFF Review: The Whistlers For as copious and dime-a-dozen film noir crime stories were at a time, and how prolific their influence has remained over the decades, ... By Sam van der MeerFebruary 20, 20200
7.7 Movies Review: Varda by Agnes Varda by Agnès, the final film by Agnès Varda, starts as a filmed masterclass. Varda sits before a rapt crowd and begins speaking ... By Hubert VigillaNovember 23, 20190
8.9 Movies NYFF Review: Portrait of a Lady on Fire Midway through Céline Sciamma’s masterful Portrait of a Lady on Fire, we get the film’s thematic archstone. So much of this painterly, poetic ... By Hubert VigillaOctober 16, 20190
NYFF Review: The Irishman The Irishman feels like it could be Martin Scorsese’s final film. It won’t be—he’s already working with Leonardo Di Caprio on Killers of ... By Hubert VigillaSeptember 30, 20190 8.5 Movies